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Wednesday, July 15, 2020 | History

1 edition of Summer"s last will and testament; a masque for orchestra chorus, and baritone solo found in the catalog.

Summer"s last will and testament; a masque for orchestra chorus, and baritone solo

Constant Lambert

Summer"s last will and testament; a masque for orchestra chorus, and baritone solo

by Constant Lambert

  • 170 Want to read
  • 28 Currently reading

Published by Oxford University Press in [London .
Written in English

    Subjects:
  • Masques with music -- Vocal scores with piano (4 hands)

  • Edition Notes

    Statementmusic by Constant Lambert ; words taken from the pleasant comedy of that name written in 1593 by Thomas Nashe.
    ContributionsNash, Thomas, 1567-1601.
    Classifications
    LC ClassificationsM1523L2225 S82, M1523L2225 S8
    The Physical Object
    Pagination68 p.
    Number of Pages68
    ID Numbers
    Open LibraryOL19576269M

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Summer"s last will and testament; a masque for orchestra chorus, and baritone solo by Constant Lambert Download PDF EPUB FB2

Summer's Last Will and Testament is a choral masque or cantata by Constant Lambert, written between andand premiered in It is scored for chorus and orchestra, with a baritone solo also featured in the last of its seven movements. It is based on the play of the same name by Thomas Nashe, written around Lambert considered the work his magnum.

For me, Summers Last Will and Testament is Constant Lambert's finest work. It is a 50 minute long choral piece based on Elizabethen dance forms and setting words from Thomas Nashe's masque about London during the plague years, published in /5(3).

Constant Lambert also wrote a piece he called a masque, Summer's Last Will and Testament, for orchestra, chorus and baritone. His title he took from Thomas Nash, whose masque was probably first presented before the Archbishop of Canterbury, perhaps at his London seat, Lambeth Palace, in List of notable masques 17th-century masques.

Requiem for Soprano and Baritone Soli, Chorus and Orchestra - Vocal Score [Gabriel Faure, Mack Evans] on *FREE* shipping on qualifying offers. Requiem for Soprano and Baritone Soli, Chorus and Orchestra - Vocal Score5/5(1). The chorus pose the crucial test of wisdom -- Shall we pass, or shall we die.

-- to harmony derived from the opening notes and now extended for the Man's account of the bombing of Hiroshima. He is repeatedly jostled by the chorus parodying a Victorian hymn complacently satisfied by the blessing of the aircrew prior to : Ian McEwan. ' $,mmer's Last Will and Testament' This is the name of a new choral work by Constant Lambert, also described as a Masque for orchestra, chorus, and baritone solo, that the B.B.C.

performed with Mr. Kennedy Scott's Philharmonic Choir, on Janu under Mr. Lambert's own direction. It is also the name of a play written in by Thomas.

Constant Lambert also wrote a piece he called a masque, Summer's Last Will and Testament, for orchestra, chorus and baritone.

His title he took from Thomas Nash, whose masque [3] was probably first presented before the Archbishop of Canterbury, perhaps at his London seat, Lambeth Palace, in We stand for baritone solo, mixed chorus or quartet and organ Contributor Names Lewis, Leo Rich -- Platt, Charles D.

(Charles Davis) -- Library of Congress Control Number Related Resources Book/Printed Material. ↑ History of the Masque Genre' ↑ David Bevington and Peter Holbrook, editors, The Politics of the Stuart Court Masque ISBN ). ↑ It was a "comedy" when it was printed, in as A Pleasant Comedie, call'd Summers Last will and Testament, but, as a character announces, "nay, 'tis no Play neither, but a show."With Nash's stage direction "Enter Summer.

Full text of "The Sadler S Wells Ballet A History And Appreciation" See other formats. ^History of the Masque Genre' ^ David Bevington and Peter Holbrook, editors, The Politics of the Stuart Court Masque ISBN ). ^ It was a "comedy" when it was printed, in as A Pleasant Comedie, call'd Summers Last will and Testament, but, as a character announces, "nay, 'tis no Play neither, but a show."With Nash's stage direction "Enter Summer.

vocal score | 1 score (8 p.) ; 27 cm. | Henry F. Gilbert. (Statement Of Responsibility). For baritone solo, male chorus (TTBB) with piano. Caption title. Words adapted from Stevenson's Treasure island. Additional stanzas by Alice C. Hyde. First line: Fifteen men on the dead man's chest, yo ho ho, and a bottle of rum.

acquire 2 shelf copies [policy default] (Selection Decision). Vocal Score. Home / Books / Choir / Choir Sheet / Christian Songs / A Ceremony Of Psalms (Baritone solo, Chorus, and Orchestra, Vocal Score) by David Willcocks. A Ceremony Of Psalms (Baritone solo, Chorus, and Orchestra, Vocal Score) by David Willcocks.

Rp Quantity. Add to cart. SKU: X Categories: Books, Choir, Choir Book, Christian Songs. Sheet Music Book And CD For Vocal Bass-Baritone. Includes an expansive, newly engraved vocal score, printed on high-quality ivory paper; and a CD+G graphics-enabled compact disc with complete versions (with soloist) in digital stereo, followed by digital stereo orchestral accompaniments to each piece, minus the soloist.

Item Number: HL ISBN 9x12 inches. Step up to the next level with more student repertoire, continuing from The First Book of Solos and The First Book of Solos – Part more than 30 songs in each book require a little more vocal range and musical sophistication, but are still decidedly student material.

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Seller Inventory # mon More information about this for Soprano Solo, SATB Chorus, Childrens Choir and Small Orchestra.

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Axion esti: oratorio for baritone, lyric baritone (popular singer), narrator, mixed chorus, popular orchestra and orchestra. Responsibility Mikis Theodorakis ; text by Odysseus Elytis (/).

Uniform Title Axion esti Language Greek, Modern (), English. Vocal text in Greek with interlinear transliterated text., Staff notation. Start studying Music Appreciation Test 2. Learn vocabulary, terms, and more with flashcards, games, and other study tools. based on a text of religious or serious character, performed by solo voices, chorus, and orchestra; similar to opera, but without scenery, costumes, or action Cantata.

Vocal genre for solo singers, chorus, and. More great teaching material at the same level as the first volume. Over 30 songs in each volume with no song duplicated between voice types. A student could easily begin either in The First Book or The First Book Part II, or the books may be used concurrently.Robert Shaw Chorus: Dvorak: Stabat Mater.

Review: The late Robert Shaw, who died in Januaryhad a long and fruitful relationship with Telarc, spanning twenty years and producing 41 recordings, eleven of which have won Grammy Awards. The current recording is the final one to be made by the conductor. Included on the second disc is a spoken interview of Shaw made .Calling an orchestra a "symphony" is a modern mistake, something that's appeared in the last thirty years or so.

Here's my point: Yes, Beethoven's Ninth is, basically, the first symphony to feature a chorus. There are many pieces going back centuries before Beethoven that feature an orchestra and a chorus, but those musical works are not.